Tuesday, 28 May 2013
Thursday, 16 May 2013
Mashup of 3 News Articles
Concerned with the latent beauty found in nature, we envision buildings grown from live flesh, fat or coral. The external skin of a building can even be conceived as a giant light filter, guiding you through and immersing you in site. Engage with a wider material palette to uncover what is already there by creating architecture which suggests a sequence of experiences. We may live in a virtual world of bright city lights, but the relationships and processes within nature can be used as inspiration for a future model of existence. Make material states dynamic; open to the nuances of light and subject to time, weathering and use rather than offering the monotonous predictability of engineered systems.
The theory suggested by this mashup is that architecture should engage harmoniously with and reveal its environment, while also being as diverse, whimsical and beautiful as nature itself.
John de Manincor and Sandra Kaji-O’Grady, “Making, Matter and Meaning,” Architecture Australia, Vol. 102, no. 3 (May/June 2013): 19-22.
Antony Di Mase, “Making more of our relationship to light,” Architecture Australia, Vol. 102 no. 1 (January/February 2013): 74-76.
Sarah Hicks et al., “Natural Artifice – A Powerful Force,” Landscape Architecture Australia 131 (August 2011): 20.
The theory suggested by this mashup is that architecture should engage harmoniously with and reveal its environment, while also being as diverse, whimsical and beautiful as nature itself.
John de Manincor and Sandra Kaji-O’Grady, “Making, Matter and Meaning,” Architecture Australia, Vol. 102, no. 3 (May/June 2013): 19-22.
Antony Di Mase, “Making more of our relationship to light,” Architecture Australia, Vol. 102 no. 1 (January/February 2013): 74-76.
Sarah Hicks et al., “Natural Artifice – A Powerful Force,” Landscape Architecture Australia 131 (August 2011): 20.
Wednesday, 15 May 2013
18 Perspective Drawings
Defensible space
(from top)
(from bottom)
(from middle)
Less is more
(from top)
(from bottom)
(from bottom)
(from middle)
(from top)
(from bottom)
Mass and Void
(from top)(from bottom)
(from middle)
Touch the earth lightly
(from top)
Ornament is crime
(from top)
(from bottom)
(from middle)
Whole is greater than the parts
(from top)
(from bottom)
(from middle)
Monday, 13 May 2013
Monday, 6 May 2013
Sunday, 5 May 2013
Saturday, 4 May 2013
Final Submission for Experiment 2 The Space Between
Link to Dropbox file: https://www.dropbox.com/sh/eg4nng9guh3zlu8/GUNVeTCFou
Link to 3D Warehouse file: http://sketchup.google.com/3dwarehouse/details?mid=7dc02aa8dbccc01afef6c986caa4f45a&result=4
Friday, 3 May 2013
Wednesday, 1 May 2013
Electroliquid Aggregation of 2 Chosen Concepts
1. Linearity and the collision of axes create a network,
which disorientates movement through the internal space.
+
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The collision of lines and the adjacency of different textures gives depth to the form and creates a layered effect.
2. The proximity of textures and geometry results in a
layered effect, which provides a distinction between spatial foreground and
background.
=
The collision of lines and the adjacency of different textures gives depth to the form and creates a layered effect.
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